Anabelle LeMieux spent her first six years between the inlet on Tomales Bay known as Laird’s Landing, a bohemian enclave where her grandfather, the artist and fisherman Clayton Lewis, lived and worked, and Drakes Beach Café, the restaurant her grandmother, Jonne, operated by the sea.
So when her partner, filmmaker John Giacobbe, began imagining his first feature—a fevered psychodrama about love, art and the way intimacy can curdle from within—it made sense that it would…